Eldreds - Auctioneers & Valuers

SALE OF ANTIQUES & ART

on Tuesday 17^th November 2009 at 11.00 am

1 BELLIVER WAY,

ROBOROUGH, PLYMOUTH, PL6 7BP

Tel: (01752) 721199 Fax: (01752) 786042

enquiries@eldreds.net

Viewing:

Saturday 14^th November 9.00 am – 12 noon
Monday 16^th November 9.00 am - 7.00 pm
Morning of sale from 9.00 am

IMPORTANT

TERMS : Cash, credit & debit cards or banker’s draft. No cheques will be accepted without prior arrangement. In compliance with the Money Laundering Regulations 2003 we are unable to accept cash payments of €15,000 or more (in any currency) in any single transaction.All lots sold subject to a buyers premium of 15% of the hammer price + VAT (on premium only). Lots marked with an asterisk are subject to VAT at 15%.

PRINTS, WATERCOLOURS AND OIL PAINTINGS

1. Le Blond Baxter print: Christmas Time (816), Come Pretty Robin (349), Summer Time (982), The Cornfield (352) and Short Change (269), all uniformly framed. (5)

2. A pair of monochrome silk stevengraphs, each depicting two children, by 'Wunsch', 11cm x 6.5cm, another pair, each depicting a grandfather playing with his grandchildren, by F Morgan, 9cm x 7.5cm, and a third pair of stevengraphs of dancers by A Pere, 9cm x 7.5cm, all uniformly framed. (6)

3. A Le Blond print, 'Venice', 6cm x 9cm, another 'Venice' print, 5cm x 2.5cm and a pair of small prints, each of two children. (4)

4. Three Baxter prints, 'The Morning Call' and 'Copper Your Honour', both with studio stamps, ' Me Warm Now', (265) and a Le Blond Baxter print 'Little Red Riding Hood', all 15cm x 10.5cm approx, and another print of Crystal Palace.

5. After W Lee Hankey,

ST TROPEZ,

Limited edition coloured print, signed in pencil in margin, 51cm x 60cm.

6. After John Skeaping,

ARLES 60,

A framed coloured print, 40cm x 46cm.

7. After W Ashton,

MIDDLE EASTERN STREET SCENE,

A black and white print, 44.5cm x 25cm and a coloured engraving SHIPPING OFF GIBRALTA, 18.5cm x 24.5cm. (2)

8. After Robert Morden,

DEVONSHIRE,

A hand coloured map, 37.5cm x 44cm, sold by Abel Swale Awnsham and John Churchil.

9. After Robert Morden,

HAMPSHIRE,

A hand coloured map, 37cm x 44cm and another, after Judocus Hondius, 'Reipublicæ Genuenis', 40cm x 52cm, (both a/f). (2)

9A. After Robert Morden,

SOMERSETSHIRE,

A hand coloured map, 37cm x 45cm.

10. After W Thomas,

OLIVER CROMWELL,

A framed bookplate and other engravings and prints.

11. After George Stubbs,

LEOPARDS AT PLAY,

A limited edition engraving 56/60 printed in 1974 from an original plate for 'The Observer' newspaper, 47cm x 56cm, together with THE SPANISH POINTER, contained in a numbered portfolio with commentary and notes.

12. After R. O. Lenkiewicz,

SELF PORTRAIT HOLDING ROSE - 1998,

A limited edition coloured print No 338/500, titled and signed in pencil on mount, 50cm x 50cm.

13. After R. O. Lenkiewicz,

KAREN STANDING,

A limited edition coloured print, 499/500, titled in pencil and embossed signature in mount, 88cm x 40cm.

14. After R. O. Lenkiewicz,

PAINTER IN THE WIND - 3.50am LANDSCAPE/PROJECT 19,

A limited edition coloured print 73/500, titled and signed in pencil on mount, 40.5cm x 35cm.

15. After W E Marshall,

ABRAHAM LINCOLN,

A framed engraving, inscribed on label verso 'Presented to the Schiller - Hands at Weimar by William Walton Murphy Consol General of the United States, January 1868, Frankfurt', 56cm x 44cm.

16. Terry Frost

LIZARD LIGHT

Etching, signed, numbered 6/25 and dated 1997 in pencil, 48cm x 34cm.

17. Four framed exhibition posters for the Tate Gallery, St Ives: Terry Frost, "New Works and the Leeds Connection, 1954-56", (2003); Bryan Wynter, "A Selected Retrospective", (2001); Barbara Hepworth, "Centenary", (2003) and Ian Hamilton Finlay, "Maritime Works", (2002), each 39cm x 29cm, (4).

18. Three framed exhibition posters for the Tate Gallery, St Ives: Alfred Wallis, 38cm x 48cm, Alan Davie, "Jingling Space", (2004) and Patrick Heron, "Garden Paintings", (2001) both 39cm x 29cm, (3).

19 – 20 Extra lots.

21. 19th Century Continental School,

MARKET TOWN WITH FIGURES AND TENTED MARKET PLACE, Watercolour, initialled A M C, dated 1883, 22cm x 32cm.

22. F. Holding,

WHITTINGTON MILLS,

Watercolour, signed and titled, 14.5cm x 21.5cm and a companion, HOUGHEND CLOUGH, a pair. (2)

23. Cyril Croucher,

HIGHWATER, PORTLOE,

Signed acrylic on board, titled and signed verso, c2003, 61cm x 30cm.

24. Martin Proctor,

HARBOURSIDE 6,

Watercolour, signed and titled, 30cm x 31cm.

25. 19th Century English school.

DORA E BARKWORTH, WIFE OF J B BARKWORTH,

Study in pencil and watercolour, heightened in white, within oval mount, titled on label verso, 42.5cm x 32.5cm .

26. Dr Fisher (?),

DUTCH FISHING BOATS,

Watercolour, titled verso, 26.5cm x 38cm.

27. Ernest Spence,

PORTRAIT OF AN ARMY OFFICER,

Signed watercolour, dated 1911, 19cm x 14cm.

28. Indistinctly signed,

BATTISBOROUGH CROSS, FIGURES AND CARTS IN A SNOW COVERED LANDSCAPE,

Signed watercolour, 21cm x 34cm.

29. Paul Rohland,

POPPIES IN A GLASS JAR,

Signed watercolour, titled in mount, 35cm x 25.5cm and two other pictures, (3).

30. A Japanese watercolour,

PANORAMIC ESTUARY SCENE, 36cm x 50cm, and another depicting female figures in a snow covered landscape, inscribed in pencil on the mount "Toyokuni", 36cm x 24cm, (2).

31. J Aldridge,

FISHING BOATS AT SEA,

Watercolour, signed with monogram and dated '83, 18cm x 26cm.

32. Maria Blackamore,

A VIEW OF GOVERNMENT HOUSE, THE RESIDENCE OF LORD GEORGE LENNOX, PLYMOUTH DOCK,

A panoramic view with various landmarks listed, pen and wash, signed and dated 1861, 31cm x 48cm.

33. Harry Williams,

POLPERRO HARBOUR, LOOKING OUT TO SEA,

Signed watercolour, dated 1880, 30cm x 50cm.

34. James Patterson Cockburn, (Attrib),

VIEW OF ROCHESTER WITH FIGURES AND SHEEP IN THE FOREGROUND,

Unsigned watercolour, inscribed on paper verso, 17.5cm x 24.5cm.

35. Gibbons,

BOATS BEFORE DRAKES ISLAND AND MOUNT EDGCUMBE, Watercolour, bears signature and dated 1851, 17cm x 28cm.

36. G Giulti (?), Neopolitan School,

FIGURES ON A TERRACE LOOKING ACROSS THE BAY OF NAPLES, Signed gouache and a companion, (a pair), 22cm x 32cm.

37. F A Winkfield,

CONWAY CASTLE WITH A BOATYARD IN THE FOREGROUND,

Signed watercolour, dated 1873, and numbered 269, 23cm x 34cm.

38. F White RI,

PLYMOUTH FROM LEEMOOR,

Signed watercolour, heightened with white, 17cm x 51cm and a companion, DARTMOOR GORSE, a pair, (2).

39. C Brochtorff,

MALTESE PASSAGE BOAT,

Signed watercolour, 18cm x 25cm, and another watercolour, MALTESE LADY,(2).

40. Neopolitan School,

"LADY ERNESTINE OF FOWEY" IN FULL SAIL IN THE BAY OF NAPLES,

Unsigned gouache, 48.5cm x 72cm.

41. Neopolitan School,

NAPOLI DA POSILIDO,

Gouache, inscribed on mount, (lhs folded), 44cm x 56cm, (visible).

42. 19th Century English School,

PORTRAIT OF A GENTLEMAN WEARING A BLUE COAT AND WITH WHITE STOCK,

Pastel, framed oval, 53cm x 43cm.

43. 19th Century British,

TUG TOWING A BATTERED WARSHIP OFF COAST WITH SAILING SHIPS IN DISTANCE,

Unsigned watercolour, 23cm x 42cm.

44. W G Burn Murdoch,

MILLDOWN, AUGUST 1905,

Watercolour, titled label verso, 18cm x 31cm.

45. W. Cantley,

SAILING VESSEL AND FIGURES ON BEACH WITH COASTAL TOWN IN DISTANCE,

Signed watercolour, 13cm x 19cm.

46. Turnbull,

WINDMILLS AND PIER IN A COASTAL SCENE,

Signed watercolour, 12cm x 15cm.

47. E De Martino,

FISHING VESSEL,

Signed watercolour, 10.5cm x 7cm.

48. Late 19th Century/early 20th Century,

DESERT SCENE WITH CAMELS AND TRIBESMEN,

Watercolour, 11cm x 17.5cm, initialled A. C. and a companion, a pair framed as one.

49. T. B. Hardy,

TWO MASTED SAILING SHIP WRECKED OFF CLIFFS WITH FIGURES ON FORESHORE,

Signed watercolour dated '99, 10cm x 15.5cm.

50. Charlotte Vawser,

SANDRINGHAM CHURCH,

Signed watercolour, titled on mount, 19cm x 25.5cm.

51. Tenanchi,

WOODLAND AND STREAM WITH MOUNT FUJIYAMA IN DISTANCE, Signed watercolour, 31cm x 48cm.

52. Stuart Thomas,

THE NEW SHOP WITH FIGURES IN PERIOD DRESS,

Watercolour, signed and dated 1935, 36cm x 53cm, titled verso.

53. Charles Edward Brittan,

A POINTER AND GORDON SETTER IN A KENNEL WITH MANGER,

Signed watercolour, 31cm x 25cm.

54. Samuel Wagstaff,

FIGURES BY A LOCK,

Signed watercolour and a companion, THE WATERMILL, signed watercolour, 24cm x 35cm.

55. 19th Century, English,

TWO YOUNG SISTERS, ONE SEATED, THE OTHER STANDING,

Pastel drawing, unsigned, 63cm x 51cm.

56-57. Extra lots.

58. E Ellis,

FISHING BOATS OFF COAST, WITH FIGURE ON BEACH

Signed oil on canvas, 45cm x 80cm.

59. Paul Armitage,

BLUE HAZE AT TOLDAVAS

Abstract oil on board, 76cm x 83cm, titled on label verso.

60. Steve Slimm,

HEADLAND IN SUNLIGHT,

Signed acrylic on canvas, 60cm x 59.5cm, titled verso.

61. Steve Slimm,

GWITHIAN LANDSCAPE,

Signed acrylic on board, 24cm x 29cm, titled verso.

62. Tony Wood,

COLLAGE

Mixed media collage using metal, card and paint, 34cm x 45cm and a coloured print of the design.

63. James Lawrence Isherwood,

THREE FROZEN PENSIONERS WAITING FOR WATER CART,

Signed oil on board, titled verso, 43cm x 58cm.

64. David Allen,

FAMILY OF THE ISLAND OF PROCITA.

Signed oil on panel, dated 1776 and inscribed on reverse of panel,

28cm x 35cm.

65. 19th Century,

PORTRAIT OF A NORTH AFRICAN MAN, WEARING A HEAD DRESS AND GREEN ROBE,

Unsigned oil on canvas, 34cm x 44cm.

66. 19th Century Continental School,

PORTRAIT OF ANGELICA KAUFFMAN WRITING AT A DESK, WEARING JEWELLERY, WITH DRAPERY BEHIND AND A BUILDING IN THE DISTANCE.

Unsigned, oil on canvas laid on panel, extensively inscribed on frame and panel, 16.5cm x 12.5cm.

67. J Falkowski,

THE CRUSHING OF A MARTYR, POSSIBLY ST VICTOR,

Oil on canvas, signed and dated 1923, 83cm x 123cm.

68. Robert Lenkiewicz,

FRAGMENT FROM "THE FIGHT", OBSERVATIONS ON LOCAL EDUCATION, PROJECT 17,

Oil on canvas, signed twice and inscribed verso, 107cm x 74cm.

69. Copplestone,

'ABSTRACT LANDSCAPE',

Signed oil on canvas, 29cm x 60cm

70. 19th Century English School,

YOUNG GIRL WEARING A GREEN JACKET AND BROWN SKIRT, WITH A POPPY AND EAR OF CORN IN HER HAIR, AGAINST A CLOUDY SKY,

Unsigned oil on canvas, 52cm x 42cm..

71. Francis Tysoe Smith,

FISHING BOATS OFF A FISHING VILLAGE,

Oil on canvas, signed and inscribed verso, 45cm x 55cm.

72. A J D'Ambrossi, (19th Century Italian),

CAVALIER WEARING A RED COAT,

Oil on panel, signed, 32cm x 23cm and a companion, CAVALIER IN GREEN, (2), (Similar lot sold at Tennants, Laybury, 13/11/98)

73. E. Ellis,

FISHING BOAT ON CHOPPY SEA,

Signed oil on board, 35cm x 45cm.

74. R. Stewart,

THREE TUNS HOTEL, PENZANCE,

Signed oil on canvas, 54cm x 73cm, dated 1891.

75. F. W. Gard,

HEAD OF MALE LION,

Signed oil on canvas, 57cm x 47cm.

76. Christopher Perkins,

THE BOURNEMOUTH SYMPHONY ORCHESTRA, CONDUCTOR CHARLES GROVES,

Oil on board, signed and titled on label verso, 49cm x 59cm.

77. Mason,

HEAD AND SHOULDERS STUDY OF A YOUNG BOY,

Oil on board, signed and dated ’55, 30cm x 24cm, a similar oil and two other pictures.

78. Edgar Hunt,

FARMYARD SCENE WITH GOAT AND KIDS, CHICKENS AND PIGS BESIDE A BARN,

Oil on canvas, signed E Hunt, 49cm x 75cm.

79. Edgar Hunt,

FARMYARD SCENE OF A GOAT CHASING A GAGGLE OF GEESE,

Oil on canvas, signed E Hunt, and dated 98, 49cm x 75cm.

80. Walter Hunt,

FARMYARD SCENE WITH WHITE PONY, TWO CALVES AND CHICKENS IN A TURNIP PATCH,

Oil on canvas, signed W Hunt and dated 1919, 49cm x 75cm.

81-84. Extra lots.

ANTIQUE FURNITURE

85. A mainly 18th century small oak drop leaf table, the oval top with two drop leaves on turned legs with splayed feet, 99cm open.

86. A Victorian inlaid and cross-banded walnut canterbury/whatnot, the rectangular top and three division canterbury above a drawer, with turned legs and castors, 61cm wide, 88cm high.

87. A pair of oak Charles Rennie Mackintosh style chairs, each with high slat-back and drop-in seat on square supports. (2)

88. An Edwardian ladies walnut writing desk, the rectangular top with writing surface above an arrangement of four side-drawers and a frieze drawer on turned legs and castors, 93cm wide.

89. A Victorian walnut part salon suite comprising four dining chairs and two low nursing chairs, each carved and pierced back and upholstered seat on turned front legs.

90. Six Regency mahogany Trafalgar back dining chairs, each moulded frame with rope twist bar and drop-in seat on front sabre legs, including one armchair, (a/f). (6)

91. A mahogany and parcel gilt carved column on later circular base converted to a standard lamp.

92. An early 19th century ladder-back day bed with curved and turned arms on turned legs joined by stretchers, 195cm long with contemporary buttoned mattress.

93. A Georgian mahogany snap-top table, the circular top with pie-crust edging on well carved baluster stem and tripod, carved at the knees, with pad feet, 56cm diameter.

94. An 18th century mahogany snap top table, the circular top on plain turned column, shaped legs and pad feet, 66cm diameter.

95. A mahogany two-drawer writing desk on square tapered legs, 87cm wide.

96. A 19th century yew wood and elm Windsor chair with pierced yew splats and spindles, out-swept arms and solid elm seat on turned legs.

97. A Victorian rosewood work table, the rectangular top with canted corners revealing a fitted interior above a pair of work boxes on turned and moulded column and concave plinth with scroll feet, 55cm wide.

98. An antique cross-banded oak side table having a frieze drawer on square tapered legs, brass label for J & B Blower, Shrewsbury, 92cm wide.

99. A Victorian bronzed brass 5ft 6in bed bearing label Jas Shoolbred, fully restored

100. An antique carved oak joint stool, 47cm wide.

101. An Edwardian walnut kneehole writing desk with three frieze drawers above an arrangement of six pedestal drawers, 130cm wide.

102. A good quality Victorian rosewood tilt-top dining table, the oval top with moulded edge raised on a turned and well carved column and four shaped legs with castors, 144cm x 111cm.

103. A pair of William IV rosewood pole screens, each with a needlepoint panel depicting a young girl with a dog, supported by a pole and octagonal column on triform base with bun feet, 142cm high.

104. An early 19th century mahogany fold-over card table, the top and reeded frieze on carved and spiral twist legs, 91.5cm, (a/f).

105. An early 19th century mahogany stool, the rectangular upholstered seat on ring-turned legs, 69cm x 48cm.

106. A 19th century mahogany carver chair with drop-in seat on turned front legs.

107. A late George III mahogany and satinwood banded bow front chest of two short and three long cockbeaded drawers on splayed bracket feet, 102cm wide.

108. A mahogany circular tripod table, the baluster turned column on hipped tripod support, 63cm.

109. A Regency mahogany side table, the rectangular ebony strung and cross -banded top above a frieze drawer on turned columns, platform and four shaped legs with castors, (in need of restoration), 58cm wide.

110. An antique oak hanging corner cupboard with single fielded panelled door, 61cm wide, 92cm high.

111. An Edwardian mahogany sideboard base having a central drawer and two glazed cupboard doors flanked by shelves, on cabriole legs, 122cm wide, 105cm high.

112. A Victorian mahogany chest of two short and three long drawers on plinth base with bun feet, 107cm x 52cm.

113. A Georgian mahogany rectangular chest of two short and three long cockbeaded drawers, on bracket feet, 109cm wide.

114. A Georgian mahogany linen press, the dentil cornice above a pair of oval panelled doors, the lower part with three cross-banded drawers, on bracket feet, 137cm wide, 229cm high, (in need of restoration).

115. A Georgian style mahogany corner display cabinet, the Greek key cornice above two astragal glazed doors, on plinth base, 91cm wide, 207cm high.

116. A reproduction mahogany corner cupboard, the upper section fitted with a pair of glazed doors above a pair of base doors, 90cm wide, 183cm high.

117. A 17th century oak plank-top dining table, the four-plank top supported on turned legs, joined by a moulded frieze and stretchers, 81cm x 247cm.

118. An antique pine dresser, the moulded cornice and plate rack above two drawers and two cupboard doors, 171cm wide, 186cm high.

119. An early Victorian mahogany rosewood circular dining table, the cross-banded top on turned pillar with concave triform base and carved bun feet, 111cm diameter.

120. A Victorian mahogany washstand, the galleried rectangular top above two frieze drawers on carved and octagonal tapered legs, 109cm wide.

121. A Victorian mahogany circular breakfast table, the top with moulded edge on tapered octagonal column, circular plinth and three shaped legs with castors, 108cm diameter.

122. A 19th century mahogany rectangular chest, the moulded edge top above two short and three long banded drawers on plinth base with bun feet, 113cm wide.

123. A Victorian mahogany pedestal writing desk, the rectangular top having three frieze drawers above six pedestal drawers, 140cm x 72cm.

124. A walnut stickstand having four divisions on ring turned columns joined by stretchers and a drip pan 123cm and a similar stickstand. (2)

125. A Victorian walnut side table, the rectangular top with moulded edge above two frieze drawers on pierced end supports and moulded shaped legs joined by a pole stretcher, 113cm wide.

126. A Victorian walnut rectangular chest of two short and three long drawers, 115cm wide.

127. A Victorian rosewood chiffonier, the panelled back with carved cresting above two frieze drawers and a pair of panelled doors flanked by octagonal columns, 98cm wide, 157cm high.

128. A mid-19th century French walnut lit en bateau with scroll ends, 114cm wide, 214cm long.

129. A late 19th/early 20th century pine and beech pastry table, the rectangular top with two pull-out slides above an arrangement of four drawers and a tin lined flour drawer, 122cm wide, 63cm deep.

130. A Victorian mahogany chiffonier, the back with carved border and narrow shelf above a serpentine top and two panelled doors, 152cm.

REMOVED FROM ST AUBYN’S CHURCH, DEVONPORT

131. A pair of 19th century Glastonbury style chairs.

132. A 19th century carved oak hexagonal shaped pulpit with pierced and Gothic arch panels raised on a multi-column pillar, with attached staircase having cast iron rail and brass handrail, 192cm high.

133. A set of oak lectern steps.

134. A large stained pine vestment cupboard, the moulded cornice above a pair of multi-panelled doors with heavy iron studded hinges, 192cm wide, 183cm high.

135. Withdrawn

136. A Victorian carved mahogany lectern in the form of an eagle with outstretched wings perched on a well carved column and raised on a concave four-sided plinth carved with acanthus drapery and lion paw feet above a moulded plinth. Presentation plaque commemorating Queen Victoria’s 60th Anniversary, June 1897, 173cm high.

137. A Victorian oak lectern in the form of an eagle perched on a column and Gothic carved plinth, 185cm high.

138. A brass table lectern, the pierced foliate and cruciform rack on short turned column and circular base, 31cm high.

139. A large brass cross embellished with clear and coloured glass bosses on a circular base with paw feet, 82cm high.

140. A pair of brass altar candlesticks, each of plain knopped design on spreading circular foot, 60cm high.

141. A pair of mahogany bedside tables, each fitted with two drawers on square tapered legs, 36cm wide. (2)

142. A George IV mahogany dressing table mirror, the rectangular plate with scrolling supports, the rectangular base with two convex drawers with acanthus carved feet, 61cm wide, 82cm high.

143. A mahogany secretaire chest with fitted interior above two cupboard doors enclosing two drawers and two cupboards, 107cm wide, (reconstructed from old timber).

144. A Victorian figured walnut bookcase, the moulded cornice above a pair of glazed doors and two panelled doors on plinth base, 112cm wide, 222cm high.

145. A Victorian mahogany chiffonier, the low back with carved cresting above a frieze drawer and two cupboard doors, 122cm wide.

146. A 19th century mahogany travelling writing desk inlaid with shell motifs and chequered banding, the hinged rectangular top revealing a writing surface and folding bookshelves, above an end drawer on square tapered legs joined by an undertier, 82cm wide.

147-151. Extra lots.

152. A large carved burr wood log bowl embellished with metal studs, 51cm diameter, 36cm high.

153. A Georgian mahogany Chippendale style carver chair with pierced vase splat and swept arms to the upholstered seat, on square tapered legs, joined by stretchers.

154. A harlequin set of six 19th century elm ladder-back dining chairs with rush seats. (6)

155. A Victorian mahogany button back salon chair with moulded and carved frame and upholstered serpentine seat.

156. An early 19th century mahogany washstand, the rectangular top with low gallery above two frieze drawers, on slender turned legs, 94cm wide.

157. An early 19th century mahogany two drawer side table on turned legs, 118cm x 54cm.

158. A good quality mahogany oil lamp stand, the circular galleried top on carved and moulded cluster column on leaf carved tripod with claw and ball feet, 146cm high.

159. A Victorian mahogany circular dining table, the top with moulded edge on heavy turned column and carved tripod, 129cm diameter.

160. Seven Victorian mahogany bar back dining chairs with drop-in seats on carved and turned front legs, (in need of restoration). (7)

161. A George III mahogany chest on chest, the dentil moulded and punch-work frieze above an arrangement of three short and six long drawers, on bracket feet, 118cm wide, 182cm high.

162. A large Continental ebonised extending dining table, the circular top with moulded edge on four double scroll supports and two-part plinth, 148cm closed diameter, extending to 298cm, including three leaves.

163. A Regency Brighton Pavilion style stained beech armchair, carved to simulate bamboo and having a drop-in seat.

CERAMICS AND GLASS

164. A Moorcroft Cobridge Stoneware 'The Corn Cockle Founder Members' vase', 9cm high, impressed factory mark and apple backstamp ©98 and painted initials R W on base.

165. A Cobridge Stoneware limited edition apple carafe, 18cm high, impressed factory mark and apple backstamp ©98, painted T.H. No 58 in black and signed J Mc and Jeanne McDougall in gold on base.

166. A Cobridge Stoneware limited edition pot and cover decorated with gardening implements, flowers and buildings, 11cm high, impressed factory mark and boot backstamp painted ©99, 10/100 in black and J S initials on base.

167. A Cobridge Stoneware limited edition pot decorated with a frog, leaves and a castle, 14cm high, impressed factory mark and crown backstamp, painted J S ©00, 44/100 on base.

168. A Cobridge Stoneware limited edition ovoid vase decorated with ducks, 16cm high, impressed factory mark and duck backstamp, painted ©01 ccc2001 22/100, R W on base and signed Philip Gibbon in gold on base.

169. A Cobridge Stoneware limited edition 'Roseanna' decorated two-handled vase, 28cm high, impressed factory mark and duck backstamp ©01 painted © 2001 34/50 in brown and K Goodwin, T A B in green and signed K Goodwin in gold on base.

170. A Cobridge Stoneware limited edition 'Raspberry' decorated two-handled vase, 22cm high, impressed factory mark, duck backstamp and J S initials, painted 17/25 and signed by Anji Davenport ©00 on base.

171. A Cobridge Stoneware 'Interlaken Beauty' decorated vase and cover, 24cm high, impressed factory mark and grape backstamp, painted ©04, R W ccc04 and 19 in black on base.

173. A Cobridge Stoneware 'Baltic Amber' orange striped decorated vase, 24cm high, impressed factory mark and eggcup backstamp, painted ©02 J S A/H on base.

174. A Cobridge Stoneware limited edition 'Gatsby' decorated two-handled vase, 28cm high, impressed factory mark, egg cup backstamp© 02, signed K Goodwin 10/75 in brown.

175. A Cobridge Stoneware brown speckle decorated vase, 22cm high, impressed factory mark and crown backstamp, painted S S on base.

176. A Cobridge Stoneware model of Perez, a grotesque parrot with a red beak, 24cm high, (a/f, chip to base), impressed factory mark and shrimp backstamp, signed Andrew Hall, dated 12/6/03.

177. A Cobridge Stoneware 'The Major (owl)' trial tile, 29cm x 19cm, impressed factory mark, egg cup and shrimp backstamp, painted in black ©02 J S, S J Trial 12-2-02 on base, framed, 34cm x 24cm overall.

178. A Cobridge Stoneware model 'The Major (owl)', 42cm high, impressed factory mark, eggcup and shrimp backstamp, painted B L in black on base.

180. A Cobridge Stoneware red glazed baluster shaped vase, shape No 55/8, 21cm high, impressed factory mark and duck backstamp and a pair of similarly decorated spill vases, 16cm high, impressed factory mark and crown backstamp. (3)

181. A Cobridge Stoneware 'Fields of Gold' decorated vase designed by Anita Harris, 17cm high, impressed factory mark, and egg cup backstamp painted initials A/H JS ©02 and a similar smaller vase, 10cm high, impressed factory mark and egg cup backstamp painted initials A/H.

182. A Cobridge Stoneware flared square shaped vase having a mottled red, blue, brown and cream glaze, 16cm high, a smaller similarly decorated shaped vase, 13cm high, both with impressed factory mark and egg cup backstamp on base, a Black Rydon Stoneware similarly decorated squat ovoid vase, 9cm high, impressed factory mark and acorn backstamp painted A/H 02© on base and an unmarked similarly decorated shaped vase, 16cm high, painted A/H, 02© J A S on base, all designed by Anita Harris. (4)

183. A Black Rydon Stoneware 'Fairy Ring' decorated vase, 20cm high, impressed factory mark, butterfly backstamp, painted K Goodwin signature on base.

184. A set of twenty-four Royal Doulton 'The Works of Charles Dickens' 'M' series figures, all in original boxes, M41-56, 76, 77, 86-91. (24)

185. A Moorcroft Hibiscus pattern powder bowl and cover, impressed mark and paper label W. Moorcroft, 18cm diameter.

186. A Moorcroft Orchid pattern baluster shaped vase, painted signature and impressed marks, 21cm high, (small chip to rim) and two modern Moorcroft dishes.

187. A Lauder Barum pottery model of a cat finished blue and green, 14cm high.

188. A Royal Worcester painted circular box lid, Welford-on-Avon, signed J Hendry, 10.5cm diameter.

189. A Limbach Factory puce tea service decorated with sprays of flowers comprising: teapot, tea caddy, sparrow beak cream jug, sugar box and cover, four tea bowls, five saucers and a shaped dish. (14)

190. A 19th century French faience model of a cat decorated with flowers on a green and yellow base, probably Quimper, 13cm high.

191. A late 19th/early 20th century Satsuma double gourd shaped vase decorated with figures in a landscape within bands of flowers, 32cm high.

192. A Chinese export chocolate pot and cover decorated with sprays of flowers, 20cm high and a teapot of similar design, 16cm, (both a/f). (2)

193. A Crown Derby Imari pattern part tea service comprising: six each cups, saucers and plates and twelve etched glass jelly glasses.

194. Three Imari jars and covers, each of ribbed baluster shape with domed lid and gilt kylin finial, 30cm high. (3)

195. A Ruskin Pottery bowl glazed with sans de boeuf colours on a white ground impressed marks, and dated 1924, 23cm diameter.

196. A Moorcroft Clematis pattern ginger jar and cover, Queen Mary label, impressed marks and painted signature, 16cm high, a small baluster vase and three other pieces.

197. A modern Moorcroft tall baluster vase decorated with birds and fruit, 28cm high.

198. A Moorcroft Hibiscus pattern oval box and cover, Queen Mary label and impressed mark and two other pieces. (3)

199. A collection of four modern Moorcroft boxes and covers and a pair of small baluster vases. (6)

200. A Prattware pot lid, "A Fix", 11cm diameter, with base, and another, "Hamlet and His Father's Ghost", with base, 11.5cm diameter, (2).

201. A pair of Japanese Satsuma hexagonal vases decorated with panels of figures, birds and flowers, 31cm high, signed beneath.

202. A pair of majolica tazzas, each dish in the form of a water lily supported by three cranes on triform base, (both a/f), 24cm diameter.

203. Two Masons hexagonal jugs, transfer printed and painted with flowers and foliage, black printed mark beneath, 19cm and 16cm.

204. A Continental majolica jardinière decorated with cranes and bull-rushes on a blue ground, 26cm high and another decorated with fruit, (a/f), 25cm high, (2).

205. A pair of Capo di Monte porcelain figures depicting a young lady and her lover, each resting on a natural bank raised on a gilt and white plinth, 18cm high, (both with old restoration).

206. An early twentieth century Satsuma charger decorated with numerous figures reading from scrolls in a landscape within a border of dragons chasing flaming pearls, 31cm diameter.

207. A pair of Satsuma vases of rectangular tapered form, each decorated with figures of warriors and having exotic bird handles, on four swept feet, gilt signature beneath, (amateur restoration throughout), 27cm high.

208. An Orrefors glass vase of tapering square form with engraved decoration of a young girl with pigtails, by Vicki Lindstrom, 8cm high.

209 – 212 Extra lots

CLOCKS

213. An Art Deco mottled marble style clock garniture comprising: a timepiece, 33cm high and two side pieces, each with rectangular top on small reeded column and plinth base, 19cm high, (both a/f).

214. A green onyx mantel timepiece of architectural form, 29cm high.

215. A 19th century mahogany long case clock, the arched hood with spiral column above an inlaid waist panel door on plinth and bracket feet, the dial marked Cardiff and painted in the arch 'Lanerlast Priory', (a/f), with wood framed 8-day bell-striking movement, 217cm high.

216. A 19th century French alabaster mantel clock surmounted by an urn and embellished with gilt metal fittings, the circular dial painted with flowers and having a bell-striking drum movement, 43cm high, on plinth under glass dome, 52cm including dome.

217. A 19th century gilt brass carriage clock, the case with engine turned bezel and enamelled circular dial, the gong striking movement stamped B within a circle, with push repeat numbered beneath 2238, table and escapement lacking, in carrying case, 18cm high.

218 . A 19^th century brass skeleton time piece on mahogany oval base, (dome lacking), 27cm high.

219. A Victorian bronzed metal mantel clock in the form of a warrior seated on a plinth, with black porcelain dial and French bell-striking movement by Biot & Drouard, Paris, 49cm high.

220. A 19^th century rosewood cased mantel time piece, the rectangular case with glazed top, sides and back and having a square silvered dial and fusée movement with compensated pendulum, 24cm high.

221. J W Benson, a 19th century gilt metal and alabaster cased mantel clock, the case surmounted by an urn, having white enamel dial and French drum movement, 26cm high.

WORKS OF ART & MISCELLANEA

222. A mahogany inlaid tea caddy, the fitted interior with two lidded compartments and a bowl aperture, 31cm.

223. A William IV needlework sampler, neatly worked in coloured silks on linen ground by Sarah Pinney, Aged 11, 1833, the text, "What is Life?" above the signature and an imposing house with pathway and gate, a figure playing with a hoop, oak and apple trees and birds in the sky, all within a geometric spiral border, framed, 43cm x 33cm.

224. A 19th century woolwork and silk picture of a thatcher climbing a ladder with the tools of his trade, 53.5cm x 39cm.

225. A Chinese silk-work circular panel of a dragon chasing a flaming pearl, worked in gold and silk thread, 35cm diameter, framed, and a small framed silk-work embroidery of a peacock, (2).

226. A framed sampler worked in coloured cross stitch with the alphabet and numbers above a design of birds, vases of flowers, bowls of fruit and trees around the legend 'Elizabeth Symons, her Sampler, Aged 10 years, December 8 1851, 39cm x 29.5cm, glazed and framed and an unframed sampler by Beatie Symons Aged 11 years. (2)

227. A pair of woolwork pictures, one depicting a young woman feeding a parrot with fruit, the other of a young woman flower seller with a dog, both in gilt frames, 78cm x 53cm, (2).

228. An Oriental carpet having an arrangement of hooked medallions and flowers on a pale red ground within triple border, 324cm x 235cm.

229. A Nain carpet profusely decorated with foliage and flowerheads on a blue and camel ground within a multiple border, 270cm x 270cm.

229A. An Oriental rug having a single diamond shape medallion within a border of flowerheads on red ground, 146cm x 196cm, (worn).

229B. A similar rug with stylised flowerheads within a lozenge, blue field and multiple border, 155cm x 238cm.

230. A pierced brass fender, 125cm and a brass coal helmet. (2)

231. A Belgian wood model of a lighthouse, the eight-sided tower with inset window detail and steps, on stand, 64.5cm high, (wired as a lamp stand).

232. A Victorian oil lamp, the painted blue-glass reservoir with brass support and fittings, later glass shade and chimney, 55cm high and two other glass shades.

233. A Victorian tortoiseshell glove box with inlaid mother of pearl "Gloves" and floral decoration, fall-down front and silk lining, 25.5cm x 9.5cm x 8cm.

234. A cut glass spherical scent bottle with ivory top and fitting, 13cm high.

235. An Oriental ivory stick handle in the form of a clenched fist, signed, 13.5cm long, and an ivory stick with etched and painted figures and later horn handle, (2).

236. An ivory handled walking stick with integral carved wood whistle.

237. A cane sword-stick with white metal acanthus leaf mounts.

238. A Japanese carved ivory figure of a geisha carrying a lotus flower and a parasol, 30cm high, (a/f).

239. A small ivory box with a carved dragon on the lid and etched birds on the sides, signed, a carved hardwood lamp stand, 38cm high and a carved ivory tusk on stand, 20cm long.

240. "Bluenose", a Nova Scotia two-masted fishing schooner, a wooden model, fully rigged, on stand, made by Carl Zinck, foreman of the gang who built the original, hull length 84cm, 96cm overall, height 93cm; sold with "The Story of Bluenose", signed on title page by Angus J Walters, master, Bluenose, Aug 29th/35, dwrp, bds, 8vo, 1933, and other relevant papers.

241. A Japanese ivory snuff bottle engraved with a rider on one side and a long inscription on the reverse, 6cm.

242. An ivory cigarette box, 14cm x 9cm x 5cm, and three ivory backed brushes.

243. A small oval ivory picture frame within carved ivory border of vines surmounted by a wheat sheaf and bow, 13cm x 8.5cm, (damage to prop-hinge).

244. An ivory parasol handle carved with two elephant heads and scrolling. 6.5cm high.

245. A beaten white metal mounted sporran with similar entwined initials and belt hook and leather pouch with kid lining.

246. A white kid sporran with plain plated mounts and a tooled leather sporran. (2)

247. A seal fur sporran with plain brass mounts, a miniature leather and seal fur sporran and a Scottish Regt cap badge.

248. A 19th century cold painted bronze modelled as a standing stag with twelve-point antlers, 12.5cm high, (damage to base of antlers).

249. A Victorian brass “Chesterman's Patent” tape measure with screw top revealing an Improved Cattle Gauge with instructions, 5.5cm diameter.

250. A circular brass box, the lid with cast portrait of Charles James Fox within Greek key pattern border, 8cm diameter.

251. An oval plated metal snuff box with enamelled decoration and inset a jasperware cameo, 8.5cm long.

252. A cast bust of Oliver Cromwell in bronze frame with hand written label on back ".... cast given by Miss Caroline Fox, July 1847 - T Carlyle", 15.5cm x 13cm.

253. A pair of tortoiseshell cased folding lorgnettes, an oval framed miniature print of a clergyman and a small rosewood box with mother of pearl and brass inlay. (3)

254. A parasol handle of composite material in the form of a four-faced head with vines across the top of the head, 8cm high, and a small Japanese carved ivory figure, (2).

255. A bronze handle in the form of six faces, alternating male and female, 6.5cm.

256. A 19th century parasol handle carved from a small coconut in the form of a child's head, smiling, 5.5cm.

257. A pair of French amber cased lorgnettes inlaid with metal foil in scroll and foliate design and gilt mounts, 15cm long.

258. A pair of tortoiseshell cased lorgnettes inset a small plaque marked 4 Gr I.

259. A 19th century Oriental hardwood card case profusely carved with figures and pagodas among trees, 11cm x 7cm.

260. A 19th century Austrian cold painted bronze of a mounted huntsman, impressed 'Austria', 7.5cm high, 8.5cm long, (damage to one leg).

261. A 19th century two-draw telescope with wood grip, eye-piece and lens covers, 76cm open, in leather case, (af).

262. Berge, London, Late Ramsden, a bronzed brass sextant with silvered scale, seven filters, two telescopes and accessories, in wood box and leather outer cover.

263. Lachenal & Co., a mahogany concertina with twenty one buttons, maker's label and numbered 94673, in covered wood case.

264. An Arab Jambiya dagger with horn handle and white metal mounted scabbard and belt.

265. A Japanese Wakashi short sword with bound grip and pierced iron tsuba, the 47cm blade in lacquered saya with kodsuka

266. A Japanese dirk, the wood handle and scabbard containing the slightly curved 14cm blade.

267. Two similar bronze and yellow metal kodsuka handles, 9.5cm.

268. A Yoruba wood maternity group of a mother with two infants, Nigeria, 1900, 42.5cm high.

269. A Yoruba wood female figure and child supporting a shallow bowl, Nigeria 1910-15, 38cm high.

270. A Kongo mirror female figure, kneeling, 21cm.

271. A Hagenauer bronze model of a foal with its head turned back, marked Hagenauer, Wien, W H W, Made in Austria, 9.5cm high.

272. A metal model of a stag, 10cm, a carved wood model of a camel and rider and three carved wood animals. (5)

273. A modern bronzed concast figure of a mermaid, 43cm high, signed R Moll.

274. A large taxidermied pike in bow fronted glazed case, mounted against a background of grasses and rocks, inscribed in pencil on back, "Caught by L G Platt in Perry Barr Reservoir, October 1893, length 42", weight 22 1/2lb", 114cm long.

275. A carved Chinese jade model of an exotic bird on foliage, 20cm high, with stand and box.

276. A carved Chinese jade model of a dancing female figure with fan, 14cm, with stand, and another of a running horse, 13.5cm, both boxed.

277. A small carved translucent Chinese jade bowl, 10cm diameter, another bowl in the form of a lotus leaf and a similar bowl and cover, on wooden stand.

278. A selection of ivory handled surgical scalpels contained in a mahogany and brass bound folding case, marked Down Bros, Makers 6 & 7 St Thomas. St. London SE, box measures 23cm wide, 5cm high, 13.5cm deep, a small case containing a saw blade and other later medical items.

279. A C Reichert, Wein brass and black enamel monocular microscope, No 248462 in fitted mahogany box.

280. After Couslon, a bronze Marley horse, 48cm high.

281. An Edwardian inlaid mahogany oval galleried tray with brass handles, 67cm.

282. A pewter circular shallow dish, the centre decorated with three crayfish, 35cm diameter marked on base B M, Tinn, Norge and bird motif, seven pewter plates, 25cm diameter, touchmarks, shield and Wright William to base, a small tankard, 9cm high, marked James Yates and other pieces.

283. A late 19th century ceramic water filter of dome shape with small cover, bearing applied crest for London and General Water Purifying Company Limited, F H Canchell's Patent, 43cm diameter, 36cm high, (a/f).

284. Four circular ceramic wall plaques, each with raised decoration depicting classical scenes, 28.5cm diameter, impressed B & G Eneret 40 on base. (4)

285. A copper jelly mould of circular form having swirl decoration, 10.3cm diameter, 11.5cm high, impressed 370c.

286. A copper jelly mould of oval form having turret decoration and hole in centre, 17cm wide, 12cm high, impressed 62.

287. A Chinese cork sculpture depicting buildings, bridges and trees contained in a glazed cabinet, 59cm long, 29cm high, 10.5cm wide.

288. A carved ivory Indonesian mask mounted on a hardwood base, a carved ivory native bust and three other items.

289. An ivory brisé fan painted with roses, 24cm long, and another, similar, painted with lilies of the valley, 21cm long.

290. An ivory letter opener with inset Stanhope of Views of Hastings and other small ivory items.

291. A collection of late 19th and early 20th centuries ivory netsukes, (20)

292. An amusing European carved ivory figure of a woman, her full skirts opening to reveal a carved domestic scene, 9cm high.

293. A bamboo walking cane with silver mounted carved ivory handle.

294. A hardwood walking cane with steel and white metal handle, engraved Sir William Tate, Liverpool, together with a ladies walking cane with silver mounted horn handle, (2).

295. A 19th century mahogany two-division tea caddy of sarcophagus shape, 23cm long and a lacquered workbox, (2).

296. An Art Nouveau style two-fold fire screen having two beaten copper panels depicting stylised flowers, 84cm high.

297. A Victorian walnut games compendium, the hinged lid and front revealing a fitted interior with chess pieces, draughts, dice and other games, (incomplete, game board lacking) stamped with registration date mark for 1869.

298. A 19th century gilt gesso wall mirror, the pole frame enclosing a rectangular mirror plate, 72cm x 47cm.

299. A collection of eight bone and ivory handled corkscrews.

300. A Lunn's Patent Lever corkscrew, an H D Armstrong Patent corkscrew and others.

301. A collection of wood handled mechanical and other corkscrews.

302. A Victorian copper Royal Seal case, embossed with the royal coat of arms within and acorn and oak leaf border, stamped R & S Garrard & Co., Haymarket, London, 18.5cm diameter.

303. A Victorian bronze figure of a nude woman seated on a lion, raised on a marble plinth, 23cm high, 18cm long.

304. A mixed case of red wine comprising eight bottles of 1985 Chateau Finerose, Grand Vin de St Julien, two bottles of Chateau Leoville Barton, 1995 and one other Chateau Leoville Barton, year unknown, (label damaged), (11).

Explanation of Picture Cataloguing Terms

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement or opinion and is not to be taken as a statement or representation of fact. Eldreds reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

A picture catalogued with the forename(s) and surname of the painter is in our opinion a work by that artist; e.g. Joseph Mallord William Turner. When an artist’s forename(s) in not known, a series of asterisks followed by the surname of the artist, whether proceeded by an initial or not, indicates that in our opinion the work is by the artist.

1. A picture catalogued as Attributed to …… is in our opinion probably a work by the artist.

2. A picture catalogued as Studio of .….. is in our opinion a work from the studio of the artist which may or may not have been executed under his direction.

3. A pictured catalogued as Circle of …… is in our opinion a work of the period of the artist executed under his immediate influence.

4. A pictured catalogued as Follower of …… is in our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

5. A picture catalogued as Manner of …… is in our opinion a work in a style related to that of the artist, but of a later date.

6. A pictured catalogued as School accompanied by the name of a place or country and a date means that in our opinion the picture was executed at that time and in that location; e.g. Flemish School, 17^thCentury.

7. A painting catalogued as After …… is in our opinion a copy of any date after a work by that artist.

8. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

9. The term Bears signature and/or dated and/or inscription means that in our opinion the artist’s name and/or date and/or inscription have been added by another hand.

10. All references to signature, inscriptions and dates refer to the present state of the work.

11. Dimensions are given height before width.